(11-29-2023, 02:30 PM)Zed Wrote: [ -> ]I hate it when the literary text preaches at me in explicit terms. I think it was Anthony who once noted, in a discussion about Dune, that the difference between left wing authors and right wing authors is that good RW fiction authors set out to tell a story, rather than directly espouse ideology. Several other good books mentioned in this thread are written by RW authors who managed to avoid preaching - but my critiicism should be taken with the grain that I have not read the entire thing - I was put off by what I read. I am not a fan of ZHP and I dislike his later output - but before his writing went to shit, his first two short stories were interesting both because they engaged with new ideas and did so without preaching so directly.
owwwwwwww, you make my thinking sound so trite.
I don't mean to rulefag about what to post where, if people are engaging with each other I'm happy. But as someone pointed out above this
is the book recommendation thread. Let me get us back on track and talk this issue through again, via what will become a recommendation. A full elaboration on this subject would demand a full thread to get a proper treatment so let me skim ahead here.
You put it that a RW author might set out to tell a story rather than espouse values. I would put it more that a
RW author can just tell a story, and the values will be naturally expressed within it, as they form the bones of all things exciting, heroic, interesting, and simply true.
As I once said to some faggot on twitter, who was trying to say that
Fallout is leftist and stupid gamers miss the point. I guess because there's an evil corporation and government or something. The most striking political statement in Fallout is that you can solve problems by shooting people in the face whenever you get sick of them. I don't necessarily think that this was intentional (as a statement), but they built a world of action. In which you can be a man of any kind of action. A thoughtful person might find the experience rather clearpilling. "You could just shoot them. They'll be gone."
My thinking is particularly focused on genre writing. In fantasies we can say a lot more about the world. In the realm of social realism we're basically forced to put our thoughts into someone we're writing to convey the point. Because otherwise what can
emerge from a depiction of the world in which we live but the world in which we live? A scenario which expresses beliefs which break from that reality would have to break from reality itself. And then we're writing fantasy of one kind or another. This isn't something I'll hold against writers of realist fiction of any kind as failures of realist writing. I just think this stuff tends to be less interesting than
genre because of it. DH Lawrence writes nicely and his characters have interesting things to say, their relationships do demonstrate the points. But I think I enjoy him more as an essayist. Very sharp and to the point. I wonder if he'd be bothered by my saying that.
Now I said I'd give a recommendation. This might give some form to this post.
This is 'Red Rising' by Pierce Brown. Something I read on Zed's recommendation.
It's a novel which runs on what we might consider a lot of "YA" tropes. But is also a rather serious work which is attempting to be true to a broadly and deeply informed picture of what humanity is. It's a story about a powerful and hierarchical society which is disrupted by a popular revolution of its lower ranks. As is typical of "YA". Several other popular tropes appear and frame the story, I won't even say which ones here because it's interesting which ones do and how each is made rather interesting by the author's
larger than YA appreciation of the human condition. The man enjoys quoting the Romans and Greeks and clearly knows them well. He invokes the tropes and fun ideas of various older and heavier works of literary science fiction. The premise is YA, but the spirit is more Dune than Hunger Games, more Starship Troopers than Divergent, etc. But it gets stranger. There's a character named as a Gundam homage later on. And at one point in the second novel I'm about 60% sure he's quoting a certain internet person leftists are
not supposed to concede points to. I'm pretty sure that Gundam thing isn't a passing meme and he actually understands Tomino. His revealed taste is rather
heroic for a man writing in a field mostly patronised by redditors. And I think if you
know how to read it shows all through the thing.
If there's a point to this post it's that I believe that fidelity to
"RW" ideas lends a certain structural fidelity and harmony to a work which is trying to aim for any kind of big picture idea about the human condition. And that I strongly recommend reading this relatively simple, somewhat YA novel that's popular with that kind of person to see how the whole thing is uplifted, ennobled, and just made so readable by the unusual richness of the author's engagement with history and ideas. Engagement along lines that one might consider
ours. As far as a trend in art can belong to anybody, an idea I don't really like. And I don't mean to do Brown discredit by suggesting that very good genre fiction assembles itself once you become based enough, he is clearly very good at what he does
and a person with a mature and interesting view of the world.
Further and more elaborate comments on the history of YA and action and the particulars of this work I'll save for when I actually make a thread on it. Remind me in the shoutbox if I don't do that soon.