Baudelaire in Xanadu or An Introduction to French Decadence
#1
The following is from The Count of Monte Cristo by Dumas. The old thread reminded me of it.

The supper appeared to have been supplied solely for Franz, for the unknown scarcely touched one or two dishes of the splendid banquet to which his guest did ample justice. Then Ali brought on the dessert, or rather took the baskets from the hands of the statues and placed them on the table. Between the two baskets he placed a small silver cup with a silver cover. The care with which Ali placed this cup on the table roused Franz’s curiosity. He raised the cover and saw a kind of greenish paste, something like preserved angelica, but which was perfectly unknown to him. He replaced the lid, as ignorant of what the cup contained as he was before he had looked at it, and then casting his eyes towards his host he saw him smile at his disappointment. “You cannot guess,” said he, “what there is in that small vase, can you?”
“No, I really cannot.”
“Well, then, that green preserve is nothing less than the ambrosia which Hebe served at the table of Jupiter.”
“But,” replied Franz, “this ambrosia, no doubt, in passing through mortal hands has lost its heavenly appellation and assumed a human name; in vulgar phrase, what may you term this composition, for which, to tell the truth, I do not feel any particular desire?”
“Ah, thus it is that our material origin is revealed,” cried Sinbad; “we frequently pass so near to happiness without seeing, without regarding it, or if we do see and regard it, yet without recognizing it. Are you a man for the substantials, and is gold your god? taste this, and the mines of Peru, Guzerat, and Golconda are opened to you. Are you a man of imagination—a poet? taste this, and the boundaries of possibility disappear; the fields of infinite space open to you, you advance free in heart, free in mind, into the boundless realms of unfettered revery. Are you ambitious, and do you seek after the greatnesses of the earth? taste this, and in an hour you will be a king, not a king of a petty kingdom hidden in some corner of Europe like France, Spain, or England, but king of the world, king of the universe, king of creation; without bowing at the feet of Satan, you will be king and master of all the kingdoms of the earth. Is it not tempting what I offer you, and is it not an easy thing, since it is only to do thus? look!” At these words he uncovered the small cup which contained the substance so lauded, took a teaspoonful of the magic sweetmeat, raised it to his lips, and swallowed it slowly with his eyes half shut and his head bent backwards. Franz did not disturb him whilst he absorbed his favorite sweetmeat, but when he had finished, he inquired,—”What, then, is this precious stuff?”
“Did you ever hear,” he replied, “of the Old Man of the Mountain, who attempted to assassinate Philip Augustus?”
“Of course I have.”
“Well, you know he reigned over a rich valley which was overhung by the mountain whence he derived his picturesque name. In this valley were magnificent gardens planted by Hassen–ben–Sabah, and in these gardens isolated pavilions. Into these pavilions he admitted the elect, and there, says Marco Polo, gave them to eat a certain herb, which transported them to Paradise, in the midst of ever–blooming shrubs, ever–ripe fruit, and ever–lovely virgins. What these happy persons took for reality was but a dream; but it was a dream so soft, so voluptuous, so enthralling, that they sold themselves body and soul to him who gave it to them, and obedient to his orders as to those of a deity, struck down the designated victim, died in torture without a murmur, believing that the death they underwent was but a quick transition to that life of delights of which the holy herb, now before you had given them a slight foretaste.”
“Then,” cried Franz, “it is hashish! I know that—by name at least.”
“That is it precisely, Signor Aladdin; it is hashish—the purest and most unadulterated hashish of Alexandria,—the hashish of Abou–Gor, the celebrated maker, the only man, the man to whom there should be built a palace, inscribed with these words, ‘A grateful world to the dealer in happiness.’”
“Do you know,” said Franz, “I have a very great inclination to judge for myself of the truth or exaggeration of your eulogies.”
“Judge for yourself, Signor Aladdin—judge, but do not confine yourself to one trial. Like everything else, we must habituate the senses to a fresh impression, gentle or violent, sad or joyous. There is a struggle in nature against this divine substance,—in nature which is not made for joy and clings to pain. Nature subdued must yield in the combat, the dream must succeed to reality, and then the dream reigns supreme, then the dream becomes life, and life becomes the dream. But what changes occur! It is only by comparing the pains of actual being with the joys of the assumed existence, that you would desire to live no longer, but to dream thus forever. When you return to this mundane sphere from your visionary world, you would seem to leave a Neapolitan spring for a Lapland winter—to quit paradise for earth—heaven for hell! Taste the hashish, guest of mine—taste the hashish.”
Franz’s only reply was to take a teaspoonful of the marvellous preparation, about as much in quantity as his host had eaten, and lift it to his mouth. “Diable!” he said, after having swallowed the divine preserve. “I do not know if the result will be as agreeable as you describe, but the thing does not appear to me as palatable as you say.”
“Because your palate his not yet been attuned to the sublimity of the substances it flavors. Tell me, the first time you tasted oysters, tea, porter, truffles, and sundry other dainties which you now adore, did you like them? Could you comprehend how the Romans stuffed their pheasants with assafoetida, and the Chinese eat swallows’ nests? Eh? no! Well, it is the same with hashish; only eat for a week, and nothing in the world will seem to you to equal the delicacy of its flavor, which now appears to you flat and distasteful. Let us now go into the adjoining chamber, which is your apartment, and Ali will bring us coffee and pipes.” They both arose, and while he who called himself Sinbad—and whom we have occasionally named so, that we might, like his guest, have some title by which to distinguish him—gave some orders to the servant, Franz entered still another apartment. It was simply yet richly furnished. It was round, and a large divan completely encircled it. Divan, walls, ceiling, floor, were all covered with magnificent skins as soft and downy as the richest carpets; there were heavy–maned lion–skins from Atlas, striped tiger–skins from Bengal; panther–skins from the Cape, spotted beautifully, like those that appeared to Dante; bear–skins from Siberia, fox–skins from Norway, and so on; and all these skins were strewn in profusion one on the other, so that it seemed like walking over the most mossy turf, or reclining on the most luxurious bed. Both laid themselves down on the divan; chibouques with jasmine tubes and amber mouthpieces were within reach, and all prepared so that there was no need to smoke the same pipe twice. Each of them took one, which Ali lighted and then retired to prepare the coffee. There was a moment’s silence, during which Sinbad gave himself up to thoughts that seemed to occupy him incessantly, even in the midst of his conversation; and Franz abandoned himself to that mute revery, into which we always sink when smoking excellent tobacco, which seems to remove with its fume all the troubles of the mind, and to give the smoker in exchange all the visions of the soul. Ali brought in the coffee. “How do you take it?” inquired the unknown; “in the French or Turkish style, strong or weak, sugar or none, cool or boiling? As you please; it is ready in all ways.”
“I will take it in the Turkish style,” replied Franz.
“And you are right,” said his host; “it shows you have a tendency for an Oriental life. Ah, those Orientals; they are the only men who know how to live. As for me,” he added, with one of those singular smiles which did not escape the young man, “when I have completed my affairs in Paris, I shall go and die in the East; and should you wish to see me again, you must seek me at Cairo, Bagdad, or Ispahan.”
“Ma foi,” said Franz, “it would be the easiest thing in the world; for I feel eagle’s wings springing out at my shoulders, and with those wings I could make a tour of the world in four and twenty hours.”
“Ah, yes, the hashish is beginning its work. Well, unfurl your wings, and fly into superhuman regions; fear nothing, there is a watch over you; and if your wings, like those of Icarus, melt before the sun, we are here to ease your fall.” He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors,—songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down,—he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city.
At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent–like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
#2
Paul Valéry

"A spring so gentle, I might survive myself."
-Untitled notebook

"What is most beautiful is of necessity tyrannical."
-Eupalinos ou l'architecte

"This quiet roof, where dove-sails saunter by,
Between the pines, the tombs, throbs visibly.
Impartial noon patterns the sea in flame —
That sea forever starting and re-starting.
When thought has had its hour, oh how rewarding
Are the long vistas of celestial calm!"
-Charmes ou poèmes
#3
I'm delighted that someone's taken interest in my old thread, although its loss remains a matter of some regret. Still, we may yet build a new Jerusalem greater and worthier than its predecessor.
#4
(03-03-2022, 09:26 PM)BillyONare Wrote: The following is from The Count of Monte Cristo by Dumas.

"Now to continue this argument, what is marvelous? That which we do not comprehend. What is truly desirable? That which we cannot have. Now to see things I cannot understand, to procure things impossible of possession, such is the plan of my life. I can realise it by two means: money and will. [...] You see, this is precisely what affords me amusement. I am like Nero: cupitor impossibilium. At the present moment, it is amusing you, too, and the reason why these fish, which, I dare say, are in reality not such good eating as a perch or a salmon, seem exquisite is that in your opinion it was impossible to procure them. Yet here they are."
[Image: JBqHIg7.jpeg]
God helps those who help himself; I approve of that idea myself.



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