I know we already have a "Kino Diary" thread, but firstly, I wanted to make a more specific version, and secondly, making a new thread makes the forum more active.
With that, I'll discuss my choice for finding potentially pro-Nazi themes even in the most bleeding-heart liberal productions.
"Hanna" was an action/thriller film released in 2011, directed by Joe Wright.
Hanna is a teenage girl being reared by her father Erik in a log cabin in some Scandinavian wilderness. She is taught to shoot, hunt, trap, and defend herself, alongside a more typical education. She is shown as having ghost white hair, pale skin and light blue eyes. At the beginning of the film, she expertly tracks and shoots a deer, dispatching it without a flicker of remorse.
It is swiftly shown that her father is being hunted down by the United States, for reasons unknown. She is captured and interrogated by the film's antagonist, Marissa, an agent who is later shown to have a past with Erik. Marissa is a cold, spiteful, careerist, middle aged woman - the typical modern day regime enforcer.
Hanna is captured and interrogated - but uses inhuman strength to murder her examiner, and escape from the black site. There follows a long, meandering journey where Hanna joins up with a travelling family to escape, and finds a glimmer of "normality" - but she leaves in the end. It isn't her calling.
After a while of frantic chase scenes by Marissa's goons (including grungy, Neo-Nazi skinheads), Hanna finds her father again, and discovers, at last, the explanation for her existence: he is not her father, and she is part of a breeding programme to create a genetically engineered supersoldier. This explains her abnormal strength, senses and cold, flat demeanour. The programme was shut down after the US felt they could not control what they had created - and the order was to wipe out every last specimen.
He, as an agent himself, escaped the facility after falling in love with another test subject, but she is killed by Marissa. He then rears Hanna into fulfilling her mission: to avenge his lover, and kill Marissa.
Agent Marissa is tasked with eliminating Hanna, as the potential last of her kind. She is portrayed as the archetypal Wicked Witch, an older woman gone badly wrong, bent on killing the younger generation out of spite and envy.
Erik is murdered by Marissa and her goons, and and Hanna finds herself being chased through a decrepit, abandoned Berlin amusement park. But Hanna uses her power to her advantage, and hunts Marissa down herself, eventually trapping her and killing her with two shots, like the deer: a predator of animals and man both, fulfilling her created destiny.
The film itself is shown through a libtard lens: the villains are essentially the CIA, and Hanna shares an intimate moment with a girl when with the travelling family.
But then you step back, and realise the film is essentially about the United States military hunting down a genetically engineered Aryan specimen because they fear they cannot control her, and fear her power. The hunter is a bitter old woman, a regime servant, looking to to strangle the future in its crib.
The film also has an excellent soundtrack:
https://m.youtube.com/watch?v=HBmwcuLa1as
If anyone has other films they'd like to discuss feel free.
With that, I'll discuss my choice for finding potentially pro-Nazi themes even in the most bleeding-heart liberal productions.
"Hanna" was an action/thriller film released in 2011, directed by Joe Wright.
Hanna is a teenage girl being reared by her father Erik in a log cabin in some Scandinavian wilderness. She is taught to shoot, hunt, trap, and defend herself, alongside a more typical education. She is shown as having ghost white hair, pale skin and light blue eyes. At the beginning of the film, she expertly tracks and shoots a deer, dispatching it without a flicker of remorse.
It is swiftly shown that her father is being hunted down by the United States, for reasons unknown. She is captured and interrogated by the film's antagonist, Marissa, an agent who is later shown to have a past with Erik. Marissa is a cold, spiteful, careerist, middle aged woman - the typical modern day regime enforcer.
Hanna is captured and interrogated - but uses inhuman strength to murder her examiner, and escape from the black site. There follows a long, meandering journey where Hanna joins up with a travelling family to escape, and finds a glimmer of "normality" - but she leaves in the end. It isn't her calling.
After a while of frantic chase scenes by Marissa's goons (including grungy, Neo-Nazi skinheads), Hanna finds her father again, and discovers, at last, the explanation for her existence: he is not her father, and she is part of a breeding programme to create a genetically engineered supersoldier. This explains her abnormal strength, senses and cold, flat demeanour. The programme was shut down after the US felt they could not control what they had created - and the order was to wipe out every last specimen.
He, as an agent himself, escaped the facility after falling in love with another test subject, but she is killed by Marissa. He then rears Hanna into fulfilling her mission: to avenge his lover, and kill Marissa.
Agent Marissa is tasked with eliminating Hanna, as the potential last of her kind. She is portrayed as the archetypal Wicked Witch, an older woman gone badly wrong, bent on killing the younger generation out of spite and envy.
Erik is murdered by Marissa and her goons, and and Hanna finds herself being chased through a decrepit, abandoned Berlin amusement park. But Hanna uses her power to her advantage, and hunts Marissa down herself, eventually trapping her and killing her with two shots, like the deer: a predator of animals and man both, fulfilling her created destiny.
The film itself is shown through a libtard lens: the villains are essentially the CIA, and Hanna shares an intimate moment with a girl when with the travelling family.
But then you step back, and realise the film is essentially about the United States military hunting down a genetically engineered Aryan specimen because they fear they cannot control her, and fear her power. The hunter is a bitter old woman, a regime servant, looking to to strangle the future in its crib.
The film also has an excellent soundtrack:
https://m.youtube.com/watch?v=HBmwcuLa1as
If anyone has other films they'd like to discuss feel free.